Kakubha Rāgini

hindu aesthetic
2 min readApr 13, 2021

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Kakubha Rāgini, Rajasthan, Bundi, Kota, Rajasthan, 18th century

Kakubha Rāgini (from Rāgamala or Garland of Rāga-s series)

Rāga Kakubha is said to be the third wife of the Megha Malhar Rāga.

Kakubha Rāgini, Aurangabad, Maharashtra circa 1725; LACMA

The iconography of this Rāga is usually depicted by a forlorn maiden/lady in a forest or a garden setting, holding flower garlands, surrounded by peacocks. The rāgini typically requires a pair or more of peacocks flanking a maiden, the peacocks being symbols of longing; and she holds a flower garland in expectation of her absent lover.

Kakubha Ragini, Lady with Three Peacocks, from a Ragamala Series; c. 1620 Bikaner, Rajasthan. Harvard Art Museums

“Elegant Kakubha pines for her absent lover.
She has left her house and come to a grove
Where blossom many flowers and trees.
She has made a beautiful garland.
Monkeys play around the grove.
On a nearby pond lotuses bloom.
The incessant crying of peacocks attracts her.
Her mind and body are nobly concerned with her lover.
A wave of emotion wells up within her,
Making her thirst for a kiss from her prince.

She ponders on love-making.
Her eyes thirst for a sight of him.
Thus distressed Kakubha burns
With the fire of separation.”

Ragini Kakubha, Page from a Jaipur Ragamala Set; 1750–70, Jaipur, Rajasthan; AIC
Kakubha Rāgini: A maiden holding floral garlands, surrounded by peacocks in a forest; Bundi, 1800

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hindu aesthetic
hindu aesthetic

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