Doḷa Purṇimā

hindu aesthetic
3 min readApr 12, 2021

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Doḷa Utsava (Swing Festival) of Lord Jagannātha and his consorts, at the Doḷa Mandapa in Puri; ca. 1860 Trichinopoly
Devotees celebrating the festival of the Dol Jatra or Swing festival in which Lord Jagannatha and his consort are swung in a throne suspended by chains from the rings of the arch of the Dola Mandapa near the Puri Jagannath Temple. inscribed: ‘An Architectural Elevation of a stone Arch near the Temple of Juggernaut in Orissa showing the Celebration of the Hindoo Festival Dol Jattra’.
Dola Mandapa in Puri at the Jagannatha Temple Complex, from the Archaeological Survey of India Collections, taken by Poorno Chander Mukherji in the 1890s. This massive free-standing stone torana or hindola (swing) has beams ending in carved makara motifs.

At the Puri Jagannath temple, Jagannātha is worshipped as “Doḷa Govinda” on Holi.

According to the Skanda Purāṇa:
“In the month of Phālguna the devotee should celebrate the excellent festival of the swing, wherein Govinda plays and sports for the purpose of blessing the worlds.”

“A replica is made of Jagannātha and named Govinda, who is Puruṣottama himself and should be placed in a bejewelled elaborate swing in order to recreate the scene of Vṛndāvana and Kṛṣṇa’s playing Holi and colour with Gopīs. The festival should be celebrated with playing of different kinds of musical instruments, blowing of conch-shells, shouts of victory, songs, hymns, and showers of flowers. The devotees should scatter fragrant sandal powder all round in all the quarters. Govinda should be worshipped with various offerings and services. The devotee should imagine the Lord of the universe as being positioned in the middle of cowherd lasses at the root of a Kadaṃba tree — the Lord who went on sporting with graceful charms, who was carried in a vehicle drawn playfully by gopis and gopikas. Thinking of Jagannātha thus, he should scatter scented powder powders of red, yellow and white colours along with camphor. The Lord should be adorned and adored with divine robes, divine garlands, divine scents, excellent incense etc. Chowries should be waved to and fro. The Lord in the swing should be slowly swung seven times. Those who see Kṛṣṇa then shall undoubtedly attain salvation. The five sins such as that of the killing of a Brāhmaṇa shall be destroyed.”

At the time of the Purāṇa, there was no permanent structure for the Doḷa Yātrā. The present Doḷa mandapa was built in the 16th century by King Rāmacandra Deva I (1568–1607 AD) who is aptly designated as ‘Dvitīya Indradyumna’ for he reinstalled the idols of Jagannath, Balabhadra and Subhadra in the Puri Jagannath temple which were burnt during Afghan invasion of Odisha. It is said that the King himself stood near the Jaya Vijaya Dvāra and distributed Mahaprasada to the devotees.

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hindu aesthetic
hindu aesthetic

Written by hindu aesthetic

curating Hindu art and knowledge - a testament to the glorious culture and heritage of a resilient civilisation. patreon.com/hinduaesthetic

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